As time progresses, factual accounts of history are not always preserved from the pollution of personal inaccuracies.  My work deals with this idea through documenting the existence of re-emerging objects from the past within a space.  Through disorienting the space I choose to photograph, I illuminate the void between objects or places and their association to an assumed yet unknown history.  Not only is a connection or disconnection of a set of relationships questioned in my work, the invisibility of a space between time itself is blurred.   I am interested in de-bunking common positions of photography as being a medium concerned with achieving the utmost fidelity with truth telling.  Arranging objects within a given space creates a tension between the viewer’s assumption of the environment having a natural, sublime order and the manipulative role photography has.  By altering the viewer’s perception, I create staged narratives, inducing a loss of certainty and peculiar distortion.  My images of space serve as a visual still suspending the viewer into an expansive space allowing interpretation of the given environment.  My photographs transform cognition of space or recognition of objects into a subtle yet surreal emergence of a past memory instigated by the Freudian theory of triggers.  Mediating between objects of recognition and the uncanny form a new recollected memory.